2045: the year man becomes immortal?

The development of full artificial intelligence could spell the end of the human race.
— Stephen Hawking

2045: The Year Man Becomes Immortal?’ (2016) started as a homage to this concept called Technological Singularity, this new era that the techno-scientific community have predicted to be possible by 2045 in which technology will finally allow for man and machine to merge, enabling us the possibility to prolong life indefinitely, making us immortal effectively.

Through this paradigm of the future I explore our bad relationship with death and the efforts of our technocratic society to overcome it. Through the piece this view is juxtaposed to the one of philosopher Alan Watts who in his teachings argued that in nature's game, "there's a purpose to dying, that is not natural for us to wish to prolong life indefinitely and that the idea that death is a terrible thing is a tremendous disease from which our culture in particular suffers."

The piece is structured in 5 sections mirroring the five stages of a fruit tree, a metaphor for the cyclic nature of life. The first three sections constitute a first block representing the process from life to death. The last two sections constitute a second block where, after what we understand as death, I wonder about the immortal nature of the human soul. In the timeline of the piece, these two blocks are separated exactly at the Golden Ratio and all the individual pieces that constitute the piece follow the timings of the Fibonacci Sequence.

The piece was premiered at St. James's Church in Piccadilly, London, on the 6th of July 2016 in collaboration with Tete-a-Tete Opera. It was further performed at Buck Hall in Cowdray House on the 9th of July 2016. It received standing ovations on both occasions and widespread acclaim.